Will Wood: Vocals, Backup Vocals, Keys, Guitar track 2, 4, 11
Mike Bottiglieri: Guitars on track 12
Dave English: Drums tracks 2, 6, 7, 9, 11
Thomas Finch: All other drums, additional drums track 2
James Horvath: Guitar tracks 1, 3, 5, 7, 8,
Vater Boris: Upright & electric bass
Dan Chetnik: Saxophone, Clarinet, Flute
Jonathon Maisto: Bass Track 4
Gang Performances: Jennifer Agront, Mike Bottiglieri, Michael Bridda, Cheska Colombo, Holly Dubin, Amanda Feliciano, Jordan Fernandez, Gabriel Francis, Kara Kittredge, Rebecca Paddon, Alex Ryan, Daniel Patrick Sheridan, Theodore Oliver Simpson, Timothy Francis Simpson, Matt Veeneechei, Gabby Vicedomini, Mike Yablon, Haolun Xu.
Special thanks to the folks at Backroom: Jon, Kevin, Scot, whoever tolerated my hovering about. My parents for funding so much of this even though my music spooks ‘em. They guy with the milk- was his name Kevin too? God, the milk thing was weird. Mike Bottiglieri, Dave English, and Mike Battista- although their full musical contributions didn’t make it to the album, their help with arrangement was instrumental. Pun intended. Thanks to my former romantic partners, and that nazi-looking girl in the corner of the room; we made eye contact a few times, remember me? Thanks to the band for working so hard. Thanks AVE, Jamface, Strange Thick. The gang. J Bob for Destroy to Enjoy. Y’all at HPC and the Tabernacle, for welcoming and helping to show me just how weird I can be. Bill Buehler for being inspiring- everything is a lot. Shroomboy/Zables and the Wills (Smith, Jackson, Sunshine) thanks for being and having been. Be bold with your love. Thanks to the sidewalk anti-folks. All the friendly homeless people. Everybody who participated in the gang vocals, the Chemical Reaction video shoot, or any aspect of any part of this process. If I’ve failed to remember your name in this, feel free to send me hate mail. I deserve it. -William
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lyrics
To cut down on my silhouette, my favorite food are smoke and hearts.
My leftover frets forget stiletto-self vendettas, while my cracking backbone lacks but backs up my false starts.
All nightmares start as dreams and I hear my subconscious screaming.
They say that beauty’s just skin deep, so naturally, please show me your-
Bones, bones, bones
Let me see your bones
Well I don’t wanna know if the feeling follows home.
Bones, bones, bones
Hell, we’re all alone
If I come home, baby, will you show your bones?
Lumps in throats and petticoats, your baby teeth would pray for you.
A selfish book is always open, and some of the best liars only want the truth.
All love starts as a scheme, so wake me up, I’m tired of sleeping.
They say that beauty’s just skin deep. So rip it off and please show me your
Bones, bones, bones
Let me see your bones
Well I don’t wanna know if the feeling follows home.
Bones, bones, bones
Hell, we’re all alone
If I come home, baby, will you show your bones?
All nightmares start as dreams, all love starts as a scheme.
Give me all your LSD so I can feel my mind unweave again.
They say that beauty’s just skin deep.
So Ana stands and rends the rancid meat from her
Bones, bones, bones
Let me see your bones
Well I don’t wanna know if the feeling follows home.
Bones, bones, bones
Hell, we’re all alone
If I come home, baby, will you show your bones?
Bones, bones, bones
I can see my bones
Well I don’t wanna know if the feeling follows home.
Bones, bones, bones
Hell, we’re all alone
If I come home, baby will you see my bones?
supported by 29 fans who also own “Skeleton Appreciation Day in Vestal, NY (Bones)”
I found this album after DSiSM was used in Grimace shake tiktoks of all things. What a funny way to find the best Tally Hall album, even if they don't call themselves Tally Hall here. Bryant Taylor
On “Spirit Breeze,” Dylan Gilbert starts from folk roots, but gradually adorns his songs with rich textural elements. Bandcamp New & Notable Jun 19, 2022